#Digitell Identity

It was lovely to be invited to speak alongside Christian Payne (@Documentally) at the Digitell symposium held at The University of the Arts London. The focus of the student run event was digital identity, one of the themes students had highlighted out of a community of practice supported by the Jisc funded ‘DIAL’ project and CLTAD.

So I rolled up my thinking-sleeves and considered the way identity functions in the creative arts… The result was a talk which included DuchampAbramović and Banksy. Obviously it’s a complex subject and many have been lost down the rabbit-hole of identity but I gave it my best shot.

Marcel was ere
Found by @otheragent in the toilets at Chelsea college of art during digitell.

With Fountain Duchamp shifted the emphasis away from the artist as sole generator of meaning but the effect of this move to the conceptual appears to have put more rather than less focus on the identity of the artist. If the art is a found object we want to know even more about what the artist was thinking and ‘who they are’. The work/piece and the identity of the artist are inextricably linked. Abramović’s The Artist is Present is the absolute extreme of this, she is both her ‘self’ and a found object. I finished this section of the talk by pointing out that a Banksy piece is valuable because of its attachment to ‘Bansky’ as an identity even though he/she is anonymous. Even when the identity of the creator is not known it is still  a powerful influence on the way we interpret and receive the work.

My overall point here is that people are fascinated by people and most work, artistic or otherwise, is an expression of identity in some form. To my mind ‘identity’ is a proxy for ‘humanness’.

In digital contexts I suggested that there are two major ways of realising an identity online:

  1. Identity embodied through works (Abramović being the most pointed example).

Rather than being present directly online in social media or similar spaces individuals can express themselves through objects/work they have created. This is where the notion of the Web as a ‘Shop Window’ works well (see my Breaking Down Digital post). This form of online identity only functions when the work is created in an ‘I made this’ mode. Obviously this is closely aligned with the creative arts but I’d argue that anyone who has written an academic paper for example is doing the same thing. Our online identity is the sum of what we post and what is posted about us. This includes anything that has our name/pseudonym linked to it. The significant point here is that there is little desire for visible discourse online around the work by those posting it. The way to connect is likely to be ‘email me if you are interested’ or similar.

  1. Identity expressed through discourse

This is where the Web is a series of spaces where we can be co-present with others, where thoughts are expressed with the expectation of response. Identity in this mode is more directly linked to a notion of the individual’s persona and presence rather than mediated or expressed through ‘finished’ work. This is likely to involve real-time or nearly-real-time discourse and connection with those around them. This is the highly Resident form of online identity of which Christian Payne was a great example. While identity embodied via work is likely to be focused on finding an audience identity expressed through discourse it likely to be about building networks and communities.

An interesting overlap between these forms of identity is the opportunity to reveal aspects of the process involved in heading towards a finished piece of work and seek comment/input.  This is one of the most powerful and potentially rewarding ways of operating and being present online and acts as a good transition between ‘Shop Window’ and more Resident forms of engagement.

I finished by suggesting that one of the advantages of a digital identity is that we can shape, nurture and control it to a certain extent. We can decide who-we-are online but only if we have a clear idea of what we are trying to achieve.  Christian then went on to challenge this perspective by describing how his online identity was owned/mediated  by the people who engage with him – he didn’t control the interpretation of his identity. (a statement which @otheragent pointed out echoes the notion of the art coefficient — the difference between what the artist intended and how the world interprets it)

In the panel session we went on to discuss a broad range of topics including authenticity and value. What interested me most in the discussion was that while Christian felt authenticity was important in online identity he does chose what to post and what not to post, thereby controlling his identity with great nuance without necessarily being inauthentic. Personally I’m not sure what authenticity is but that’s a different rabbit hole…

Thanks to Kimberly Cunningham, Joe Easeman and Chris Follows for running such great event.

Digitell B1NQm8YIQAE0wdM

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40 thoughts on “Some real data on Web 2.0 use

  1. I’ve just had a quick look at your results – some things I’ve found interesting (such as the fact that post-docs were the most likely to be using Wikipedia!)

    I do have a few questions – in particular about services that you’ve not listed. For example, you’d got YouTube but not Google Video (I’ve personally found that the educational range at Google is better, or at least easier to find), you’ve also got MySpace but not Live Journal (or Elgg).
    Did you give people the option to add extra systems – either for the categories you had (Social networking) or for others (e.g. Gliffy for creating diagrams?)

    It’s useful to have this data though, as I’ve found that I have to get most of the data about what people are using from Pew Internet & that’s US based.

  2. They are very interesting data, Dave. It would be really interesting to show the aggregated data for every service not filtered by age, because I think that this data point to a profile of very intensive Internet user that ran across all ranges of ages. In some way, you take the orientation of respondent towards technology when you mention in the report that “the majority of respondents probably had some interest in leaning online to have initially discovered the page.”

    And a second question, would it be possible to elaborate data on how many people use one, two, three, etc of these services?

    Really good work. Thank you for sharing

  3. Useless questions = useless answers, or nothing we couldn’t have predicted about present and future usage patterns through the age groups. Many different spellings of “calendar” suggest the authors were in such a rush to get this to press, they couldn’t be bothered with spell-checking or proof-reading. B-, must try harder.

  4. Interesting- I note that my age group is left out of the anaylses (65+), and in my experience such pre-boomers are very high users of web2 and the intenet as a whole..and the younger ggrouops *40-65) less so.. at least the latetr seesm to show up!

  5. Thanks for this survey, it was very insightful. The growth of social networking over such a short period of time is really phenominal. I wonder when web 3.0 will start…

  6. I’ve been experimenting with various collaboration & document sharing tools and have discovered an excellent site. It is a very user friendly, web-based application that is well worth taking the time to explore. Take a few minutes and look at Projjex.com. The tutorials are excellent & you don’t need to be a Rocket Scientist to figure out how to use it. It even offers a free version so you can try it on for size.

  7. I would be really interested in seeing a copy of the final report but the link provided does not work. Please could you send me a copy as it may well support my dissertation.

  8. nteresting- I note that my age group is left out of the anaylses (65+), and in my experience such pre-boomers are very high users of web2 and the intenet as a whole..and the younger ggrouops *40-65) less so.. at least the latetr seesm to show up!

  9. Pingback: Eso de la Web 2.0

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